Home arrow Fall 2005 arrow Faculty Spotlight: Kurt Ritter
Faculty Spotlight: Kurt Ritter
Fall 2005

Ritter rethinks revision when grading papers

When it comes to teaching writing, there’s one thing Professor Kurt Ritter has long believed: The best assignments give students a stake in what they’re writing about.

That insight has been brought home to Ritter, a professor in the Department of Communication, many times during his research interviews with presidential speechwriters—one of his areas of academic interest. He finds that speechwriters’ greatest works are usually those to which they feel personally connected. The same is true for student writers.

 “One of the things I’ve come to believe is that if you want to get students to do really good writing,” says Ritter, “you need to find a way for them to have a chance to write something they care about. Because then it’s not just ‘I’m doing this for a grade,’ but rather ‘I really want this to be good.’”

Professor Kurt Ritter of the Department of Communication tells a story about a recent lecture on presidential rhetoric. This semester Ritter is teaching COMM 480, Religious Communication, his second W course.
Professor Kurt Ritter of the Department of Communication tells a story about a recent lecture on presidential rhetoric. This semester Ritter is teaching COMM 480, Religious Communication, his second W course.
That’s why, whenever possible, Ritter give his students latitude in choosing topics or finds other ways to get them personally invested in their assignment.

This summer, Ritter taught his first official W course, a class in political communication. Although he’s often taught classes with a strong writing component, he wasn’t sure how best to shift the focus of this course from speaking to writing. Urged by Brady Creel, a doctoral student in the Department of Communication who was assisting him in the course—and who also serves as the UWC’s communications coordinator—Ritter added several low-stakes writing assignments to his syllabus. He was pleasantly surprised by the results of these brief and ungraded group tasks.

“The students worked really hard on those things and took them very seriously, even though we were never going to grade any of them. In the end that didn’t really matter,” Ritter says with something approaching amazement.

Ritter also experimented with peer responses in his first W course.

“My biggest surprise was the skill with which the criticism was made,” Ritter recalls, noting that students often commented on whether the writing was appropriate for the intended audience. “Students would say, ‘You could say it differently and be much more likely to get this audience to agree with you.’”

That’s just the sort of observation Ritter feels is “vitally important in order to produce a document that will work.”

Students benefited from the peer response technique, Ritter believes, because “it was being done instantly. Right then the students were getting feedback. It was easier for them to accept it, too, because it was a group-written project.”

Ritter also has begun to rethink the comments he puts on student papers after noting that Creel’s comments tended to be far less directive than his.

“I would tell students ‘This is how you should fix this,’” Ritter explains, as opposed to simply noting that the writing was confusing or asking questions to get the students to rethink their choices.

Reflecting on that, Ritter has come to see that giving students less information might be more helpful. In “correcting” things, Ritter fears he runs the risk of misconstruing his students’ intended message. Besides, leaving the revision up to the students is another way of giving them ownership of the assignment.

Ritter, who admits he was “deeply suspicious” of pedagogical techniques such as journal writing and group assignments before teaching a W course, now feels that such practices help students to find their voice and become more personally invested in their words. And for Ritter that’s the heart of good writing—and good teaching.
 

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Why she writes

I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. What I want and what I fear.

Joan Didion

 

 

 

 
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